Terms and Conditions
Welcome to TONGUES, provided by Voodoo Voodoo Ltd (“we”, “us”, “our”). Access to and use of this website (“TONGUES”) is provided by us on the basis of a number of important terms and conditions, which are set out in full below.
You should carefully read these terms and conditions (“terms”). When you use TONGUES, you will be legally bound by these terms, which will take effect from your first use of TONGUES. If you do not agree to be legally bound by these terms, then you should not use TONGUES>.
These terms apply generally to the use of TONGUES. Any facility (“Comment Facility”) that we may make accessible to you through TONGUES, enabling you to post messages, comments, information, material or content (a “Contribution”), may have additional special terms attached. If and when a Comment Facility becomes available, you will need to read and agree to be legally bound by those special terms before you post a Contribution or use those sections. If you do not agree to be legally bound by those special terms then you will not be able to post a Contribution.
TONGUES is not intended for distribution to, or use by, any person in a country where that distribution or use would be contrary to local laws or regulations.
Changes to Terms
We are continually seeking to update and improve TONGUES. As a result, we may make changes to TONGUES, including these terms, at any time. You will need to review these terms regularly so that you are aware of any changes we have made. You will be legally bound by the updated or amended terms from the first time that you use TONGUES after we post the changes on-line.
The rights in materials, images, information, data, trade marks, trade names and logos and other content included on TONGUES (“TONGUES content”) are are owned by us or the relevant third party content owner. All rights are reserved and acknowledged. As TONGUES content is protected by a variety of third party rights, you may not copy, adapt, re-publish, make available to the public or print off copies of TONGUES content in any way, or use it other than as part of TONGUES and for your personal non-commercial use, without our prior written permission.
Information which we provide through TONGUES is in outline for information or entertainment purposes only. You should not rely on it.
Third party websites
We do not monitor the content of third party websites and any link provided on TONGUES is solely for your convenience. We cannot therefore accept any responsibility for any third party website. You are responsible for checking and complying with the terms and privacy policies applicable to your use of any third party website.
The extent of our responsibility to you has been determined in the context of the following:
access to TONGUES is provided to you free of charge;
it is your responsibility to determine the suitability of any TONGUES content for any particular purpose to which you wish to put it;
TONGUES does not give instructions and you are responsible for any action or decision you take or do not take as a result of TONGUES content;
It is your responsibility to ensure that your equipment is enabled with appropriate up-to-date virus checking software before you access or use TONGUES.
Whilst we will endeavour to ensure that TONGUES is available to you and that content for which we are responsible is accurate, we cannot make any legal commitment or representation to you that TONGUES will be available at any particular time or that it or any TONGUES content will be of any particular quality or fit for any particular purpose. However, we will exercise reasonable skill and care in providing any service to you.
We can accept no liability to you for any of the following types of loss (should you suffer any of them as a result of your use of TONGUES):
loss which was not foreseeable to you and us when you first accessed or registered to use TONGUES (even if that loss results from the our failure to comply with these terms or our negligence);
any business loss you may suffer, including loss of revenue, profits or anticipated savings (whether those losses are the direct or indirect result of our default);
loss which you suffer other than as a result of our failure to comply with these terms or our negligence or breach of statutory duty;
any loss suffered due to the default of any party other than us.
We do not give any commitment that TONGUES or any TONGUES content will be available uninterrupted or error free, that defects will be corrected, or that TONGUES or its supporting systems are free of viruses or bugs.
We can accept no liability to you if we fail, or are interrupted or delayed in the performance of any obligation because of:
the non-availability or failure of any telecommunications or computer services, systems, equipment or software operated or provided by you or any third party;
any other event not reasonably within our control.
We do not give any commitments or accept any liability to you in respect of TONGUES content provided by other users of the website or third parties other than us.
Nothing in these terms will limit our liability for death or personal injury arising from our negligence.
To the extent that we are practically able to do so, we may terminate your access to any part of TONGUES at any time without notice if you breach any of the terms.
If any of these terms are determined to be illegal, invalid or otherwise unenforceable then the remaining terms shall remain in full force and effect.
These terms shall be governed by and interpreted in accordance with the laws of England and Wales. If you are a consumer, then you may have rights to bring court proceedings in the courts of the country in which you are domiciled. Otherwise, to the fullest extent permitted by law, you and we shall bring all court proceedings in the courts of England and Wales.
© TONGUES — An initiative by Voodoo Voodoo Ltd


Privacy & Cookies Policy
The tongues.cc website is operated by Voodoo Voodoo Ltd (‘TONGUES’).
This privacy policy applies to TONGUES.
We want you to enjoy our website and services secure in the knowledge that we have implemented fair information practices to protect your privacy. By visiting our website, you are accepting the practices described in our privacy policy, including our use of cookies and similar online tracking technologies. If you do not agree to the terms of this privacy policy, please do not use the website.
TONGUES may change this policy from time to time by updating this page and you should regularly check to ensure that you are happy with any changes. This policy was last updated on 11 February 2020.
The policy outlines:
1. General principle
2. How we collect information
3. Types of information we may collect
4. How we use your information
5. How we protect the information we collect
6. Access to your personal information
7. How to contact us
1. General principle
There are two types of information we may collect from you when you use the website: non-personally identifiable information and personally identifiable information. Non-personally identifiable information does not individually identify you, but it may include tracking and usage information about your general location, demographics, use of the website and the internet. Personally identifiable information is information that you voluntarily provide when you set up a user account, subscribe to a newsletter, or query that can individually identify you and may include your name and email address etc.
We do not link non-personally identifiable information to your personally identifiable information.
We do not share either type of information unless required to run the website and services (see third-party services below). We will never sell either type of information.
This privacy policy does not apply to any information collected outside of the website, including offline or through other means (for example, via telephone or through email), unless otherwise stated below or at the time of collection.
2. How we collect information
We collect information when you:
— Ask to be placed on an email newsletter list
Make an enquiry about our services
— Answer a reader survey
— Provide information to us
Links to other websites, social media platforms
Our website may contain links to other websites of interest. However, once you have used these links to leave our website, you should note that we do not have any control over the information that is collected and shared about you. You should exercise caution and look at the privacy statement applicable to the website in question.
You may interact with content on our website through social media platforms we use such as Facebook by using their social features. Examples of social features include ‘liking’ or ‘sharing’ our content. We encourage you to review their policies before using their tools, which can be found at their respective websites. If you’d prefer that these social media platforms do not collect information about the content you share and use, we suggest that you don’t use their tools.
3. Types of information we may collect
The types of information we may collect includes:
— Account information (email address)
— Information you provide through a TONGUES reader survey which might include age range, education level etc
TONGUES is not responsible for any information you have provided in public areas of our website or on our social media platforms, which may then be viewed by other users.
4. How we use your information
The information we collect may be used to help us:
— Provide services you voluntarily subscribed to such as email newsletters
— Improve the quality of our website
— Promote services to you including advising you of updates or changes to our website and services
— Improve the website through reader surveys and feedback
Disclosure to third-party services
As part of providing our website and services to you we use a limited number of third-party services that perform functions on our behalf, including but not limited to website hosting, server monitoring, tracking user behaviour, marketing automation services, and customer service.
We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of these third-party services and encourage you to read the policies of the services we use below:
TONGUES uses the MailerLite marketing automation service to issue newsletters. Find out more about MailerLite’s Privacy Policy and Terms.
When you subscribe to our email newsletters
By clicking ‘Subscribe’ you agree to the following: 
We will use the email address you provide to send you a weekly or monthly email. We also send occasional updates and, no more than once a year, reader surveys. 
The email address/es you provide will be transferred to our external marketing automation service ‘MailerLite’ for processing in accordance with their Privacy Policy and Terms. We use MailerLite to issue our newsletters. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailerLite
You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at [email protected]. If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at [email protected].
5. How we protect the information we collect
We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or third-party service providers. 
Sharing your personal information
We will not disclose your personal information except; (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which it was obtained or to comply with our legal obligations and enforce our agreements. 
Data transfer
This website is published in the United Kingdom. If you are located in a country outside of these countries and voluntarily submit personally identifiable information to us, you should be aware that information about you will be transferred to this countries. We attempt to comply with local data protection laws to the extent that they may apply to TONGUES. 
Age of consent
Our website is not directed at children under the age of 18 and we do not knowingly collect or maintain information from those we know are younger than 18. If you are younger than 18, you should not submit or post any personally identifiable information to our website. By using the Service, you represent that you are at least 18 years of age.
6. Access to your personal information
You may request a copy of the personal information we hold about you by submitting a written request to [email protected]. We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you. 
We take all reasonable steps to ensure the information held is accurate, up-to-date, complete, relevant and not misleading. 
7. Contact us
If you have any questions about our privacy policy or our use of your information, please contact us at [email protected].


March 19 / 2020


Image makers and creative directors Sylwana Zybura and Tomas C. Toth share a voice through Crosslucid, researching, questioning and creating new visual universes together using moving images, photography, collage, character design and performance. Through their work, they challenge social norms, and invite discussion around topics such as the synthetic self, digital intimacy, exploring ways of rewiring the relationship between ourselves and our environment. 


Q > What’s the most satisfying part of the creative process (and why)?

A > Our projects happen to be very versatile, allowing us to leave our comfort zone, and venture out to explore novel solutions in order to create a symphony of visual elixirs. Our work is driven by a certain level of fearlessness, inviting an element of curiosity and playfulness in our prototyping process, an ever-adapting organism. This very fluid movement of succulent ideas, interventions and perspectives leads us to perpetually questioning the system, and its lack of sustainability and imposing structures we have to deal with as creatives and humans. Finding a navigation through that and uncovering “little fragments of paradise” that often go unnoticed.

During the exhibition in Berlin for the release of our book Landscapes Between Eternities, the scenery and exhibited assemblages constantly morphed and adapted in relation to the spectator, with each other becoming a platform for rapid prototyping of subliminal realities and relationships.

Q > Fast-paced demands — how do these affect your work?

A >It involves a high level of diligent preparation in order to create lucid and conducive environments for ideas to flourish. We see our projects as “aquariums” where accumulated knowledge, visceral intuition, visual input and a string of intermeshed collaborative thought processes, between ourselves and our community, intermingle and supply a rich compost for the subsequent cross-pollination. This process proved very successful during our collaboration with the incredible Nike team in Beijing. We were commissioned to create body sculptures with the selection of brand ambassadors for the launch of their new sneaker range in a very limited amount of time. A challenging but a very rewarding experience that imposed a certain dynamism in impromptu problem-solving.

Q > Tell us about your most unconventional project.

A >One of them is an ongoing project about digital intimacy called #FirstDate, a prelude collection of surreal meditations on some of the impacts of technology and sexuality that we initiated during our artist residency with Propaganda Network and Stamba Hotels in Tbilisi, Georgia. It is a sensitive topic in a faintly erogenous reality that hasn’t fully crystallised yet, where being queer can put you in a life-threatening situation, or where you can find yourself ostracised by your own family. The exploration was rather strenuous but we managed to create a space for mutual exchange and discussion through our panel of talks with activists, lawyers and local women’s groups, as well as a short essay film and a tactile multimedia installation. This wouldn’t have been possible without a network of inspiring collaborators and supportive friends we met on the way. Engaging with the topics of intimacy in digital space enabled us to instigate conversations with individuals and queer community members about their personal traumas that wouldn’t have been possible offline.

We were positively touched by seeing how social networks can have a positive impact and become a safety net for communities, not only through closed Facebook groups, promoting a safe exchange around the topic of sexuality education through implementation of Sarahah but also a way of spreading awareness about sexual health through Grindr channels. We were hoping for continuation of the project in Teheran by creating “objects of desire”, a set of assemblages constructed from everyday objects and found elements. Unfortunately, due to the political situation, it didn’t have the opportunity to unravel. 

Currently, we explore new constellations  and materialities in our new studio in Berlin, focusing on bringing our new project, “Digital Spiritus”, to life.

Q > Which is more important to you: stillness or movement?

A >It is the subtle dance between progression and reflection, a sweet spot of stimulation and deeper engagement with chosen narratives.

Q > Which areas of study do you find yourself being drawn to?

A >Most of our current reading is around how our understanding of consciousness and the biosphere is reshaping our imaginative possibilities, the emergent futures of AI and our currently explored primal topics of intimacy, sexuality and spirituality in the digital age. 

We see a lot of highly positive transitional development in all areas and sciences aided by the unprecedented access to information and interconnection with each other. This pushes us towards a clearer, and highly liberating understanding of our incredibly potent interspecies interconnectedness.

Q > Sharing, connecting, posting. In a world of social media, how is privacy important to you?

A >Ideally it should not be of any importance at all. What poses an issue is losing privacy or having people stripped of their right to it within ideological systems and on a plethora of platforms that exploit this loss, functioning on the old basis of extractionism and profiteering without relevant distribution systems or democratic agency in place.

Q > Dialogue formats — do you actively question the technology tools you use?

A >Absolutely. We reject having the world and its intricacies mediated through a sole easy-access platform and its non-transparent algorithmic rules.

At some point we found ourselves especially cornered in by the available search engines and platforms of idea circulation. It took a while to figure out a bypass to their architecture and we are currently exploring the information realm through library search engines and also Are.na, a truly collaborative platform of idea exchange and sharing. Let’s not also forget the incredible and highly principled existence and communal architecture of Wikipedia; it is dreadful to even imagine this space would not exist in the form it does today.

Q > Opening conversations around taboos — where would you start?

A >In the light of our new possibilities for sharing and exchange, we feel we should certainly start with the two that have been historically used to the highest degree as oppressive measures. They are also some of the most crucial in the human experience — sexuality and spirituality.

Furthermore, what is extremely crucial right now is to liberate the feminine in all its forms from the manifold brutal oppressions it is put up to ideologically and linguistically. Heal the poisonous imbalance once and forever.

This conversation, which took place in Berlin in December 2019, has been edited for concision and clarity.


Sylwana Zybura and Tomas C. Toth first met in London on a fashion job. Their partnership entered a second phase when they moved their base to Berlin in 2017, with the aim to engage in longer term and more complex projects. 

Nike Air 720 — Nike x Crosslucid x Hypebeast, 2019

#FirstDate — Crosslucid, 2019

#FirstDate — Crosslucid, 2019

Landscapes Between Eternities / Melanie — Crosslucid, 2018

Primer — Crosslucid, 2019

Collage Wonderlands — Crosslucid